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Compare The Two Short Stories Tickets Please (стр. 2 из 2)

he would ask again?. Even in Tickets please all of the women ?hoped he

would look at her?. They all secretly wish to be chosen. Milly accepts however

Annie declines. It would be humiliating for Annie to accept as she feels she

has to decline for the girls as the whole point of beating John Thomas was so

they could prove a point to him and to accept John Thomas would undermine it

all.? Whoever

John Thomas chose, they would have to refuse. They knew that nobody would marry

him and still they made him ?choose?? The only reason why John

Thomas chose Annie was so he could get himself out of the situation. He knew

that by choosing Annie he would gain a victory and from his vulnerable position

he chooses Annie. He knows that she will never accept as he chooses her in

?malice?, Annie immediately let go off him like he was a ?hot coal?. She felt

?a kind of agony in her? as ?something was broken in her?. The girls have lost

control and are ?stupefied? by their ?unnatural behaviour?. Even after all the

taunting, tormenting and goading John Thomas they make him chose: ?Coddy, you?ve got to

choose? John

Thomas asserting his authority while being cornered like an animal gets him

nowhere but by choosing Annie he turns the tables. Despite the sheer violence

they thought would ensure a victory, they are very wrong. This leads Annie to

feel very undermined. John Thomas?

uniform is something he takes pride in. When his ?tunic was torn? and his

?jacket was stripped off?- so was his authority. Tony

Kytes has no violent behaviour or mass hysteria????? whatsoever. The climax in the text is well organised and the

tension is of a much different order. For example the tension in Tickets

Please is what is going to happen to John Thomas when he is being beaten up

whereas in Tony Kytes we want to know how he is going to explain himself

to all three women. Hannah

and Unity do not want revenge on Tony – and the way in which they show their

fury is by not going to Tony?s wedding. Milly is asked last by Tony and when

she is finally asked she responds by saying: ?You didn?t really mean what

you said to them? Tony declares ?not a word of

it?. Once again he is deceiving Milly and his charms get the better of her as

she accepts him. But we know the circumstances forced her to that decision. Tickets

Please is

left open-ended. The reader is shocked by the immense violence and we are left

wondering if John Thomas has learnt his lesson and will he resign or maybe

settle down into a permanent relationship. The women proved their point and

they feel they may have tamed him but because he has always been a philanderer

he may never change. In Tony

Kytes we are satisfied with the closed ending, even though the modern

feminist reader would pity Milly?s decision we are left knowing that they did end

up getting married. There is a bit of poetic justice as he didn?t get his first

choice but as he is genuine to all three of the women he would?ve been happy

with either women. Dialect

is used throughout Tickets Please. It shows the typical early 20th

century working class Nottinghamshire people and their identity. The narration

in Tickets Please is Standard English but the characters ?start lapsing

into dialect? when they are in conversation with one another. For example ?why

tha does?, ?Ay, he will? and ?come on me old duck?. In Tony

Kytes we are given the rural class dialect. It is not Standard English and

is much less formal. For example the narrator describes Tony Kyte?s facial

features in dialect: ?twas a little round face? This is the cart driver

speaking and he would have been using dialect because he would have not been

educated. He said Tony Kytes had small pox ?baddish?. It is 19th

century West Country dialect, when Tony says that he doesn?t want to ?kick up a

bit of a miff? the modern day translation would be to ?break out into a

quarrel?. ????????? Even though both authors Hardy and Lawrence are educated

they use dialect in their texts. They do this so they can add authenticity to

the story. The cart driver in Tony Kytes would have not been educated,

so Hardy needed to give us a real feeling to the characters. It makes them

sound more genuine and real to the period. We can clearly visualise the

characters and it gives us a local flavour. ????????? In both of the texts there are many individual and unique

features that are worth commenting on. In Tickets Please the long

sentences at the beginning of the story mimics the journey and the movement of

the tram. We feel we are being taken through the journey ourselves. We pass

through the regional landmarks such as the ?Co-op?, the ?market place? and

there are many more throughout the passage. By mentioning these, we feel a real

sense of place. There are several of commas, colons and semi-colons to break up

the passage and to fix it into place. When the ?patients halt at the loops?; it

creates a sense of impatience. The use of ?wee???hurray? increases the reader?s

participation. The tram drivers, ?rush? at the ?reckless swoops? and ?to ride

on these cars is always an adventure? because the drivers have the ?spirit of

the devil? in them. They have this attitude because they are loosing out in the

excitement and participation of the war so they want to feel some sort of

satisfaction. At

the start of the story it is all in the present tense. This creates a sense of

timelessness as the ?workmen?s houses?, ?cinemas? and ?fat gas works? will

always be there. It will always be a feature of life. There is no consistency,

whereas the story of the characters is told in the past tense. It gives us a

sense of their fleeting lives. ????????? In Tony Kytes the scene is set in a very different

way. Straight away we are introduced to the eponymous hero. We start off with

the narrator?s point of view and we immediately feel that the narrator is

indulgent and lenient towards Tony Kytes. Further on in the story we know that

he is indulgent towards Tony Kytes because he still gets a wife at the end. A

feminist writer in favour of the women would have ended it much more

differently by being less light-hearted towards him. ????????? The story in whole is light-hearted and there is no moral

to the story. We are not meant to feel any anger towards Tony Kytes. It is

meant to be humorous. We should treat him like a rogue and forgive him. Female

readers in general would feel a slight annoyance, whereas the male audience

generally would go along with the writer?s point of view and enjoy the humour

of these typical 18th century women falling for all of his lies. ????????? In Tickets Please there are many groups of metaphors

that Lawrence uses, for example he compares the women to ?reckless sailors?. He

uses navel ship images and descriptions: ?Careering vessel of a tram car? They are in ?peril, rocking

on the waves of a stormy land? and ?live abroad gives them a sailors dash?.

Because they are compared to sailors it gives us the impression that they

indulge in casual sex, like sailors having ?a woman at every port?. Sailors in

general are ?reckless? like the girls in Tickets Please and they have

the bouched attitude. The tram car is the ship and the depot is the port.? ????????? The women have a carpediam attitude. Unlike the women in Tony

Kytes who need to think about their future and not have the ?live for the

day? attitude. It was the war that allowed the women like Annie to have these

attitudes.??? ????????? Throughout the text

there are also many wartime references, which include: ?Outside was the darkness and lawlessness of

war-time? Lawrence

mocks the characters by comparing Annie to a ?tartar?. A ?tartar? was a warrior

figure of the Mongolia race who were famous for conquering many lands, whereas

Annie was just a working class Nottinghamshire ticket collector. The only

similarity Annie could have had with a ?tartar? is that she turned the tables

on John Thomas. Similarly a ?tartar? turns the tables on their assailant. ????????? There is also another reference: ?thermopylae?. It was a

pass between the sea and the mountains where a famous battle took place. Again

there is a mocking tone as the tram car step isn?t a place where something

famous had taken place like a great battle. ????????? Lawrence also uses many metaphors to describe John Thomas

and the women, which are linked with animals. The women are ?predators? whereas

John Thomas is the ?prey?. Annie was a ?swift cat? and John Thomas was now

?their sport?. We visualise hunting images as John Thomas lay ?like an animal?

as he ?was at the mercy of the captor?. The women were ?wild creatures? and

John Thomas ?started to struggle like an animal might?. The girls had a

?supernatural? strength but as soon as he chose Annie she became a ?dazed

creature?. The women get hysterical with their ?wild frenzy of fury?. They are

very vicious and have lack of control. They are acting on their instincts

because they had ?mute stupefied faces?. They couldn?t believe the

?supernatural? strength they had. An animal would act on instincts – not

humans. ????????? When Annie and John Thomas share their first kiss Annie has

to keep justifying her behaviour. There is a repetition of ?after all? several

times: ?After all it was pleasant? John Thomas? kisses were

?soft and slow and searching?. This uses the rule of three and the ?s? sounds

represent the movement of the kissing.? In Tony

Kytes Hardy uses rural metaphors to describe Milly and Tony?s reactions.

Milly was crying in ?watery streams? and Tony looked like a ?tree struck by

lightning?. ????????? As a modern day feminist reader I much preferred Tickets

Please, as there was a strong sense of sweet revenge. I felt Milly from Tony

Kytes was too pathetic and passive for her own good. Her life is worthless

and has no meaning to the feminist reader. But while reading the story we have

to constantly keep reminding ourselves that Milly needed to be passive and

obliging so she could secure herself a husband. If Milly was living in Annie?s

time or in the 21st century, then she too may have been forward and

liberated like Annie. If I were to re-write Tony Kytes, as a female

writer and reader I would make sure that other female readers would not respond

to the text with annoyance just because the narrator has been indulgent towards

Tony. Tony would get his full poetic justice, like John Thomas got his.???