During its early history, America was a series of British colonies on the eastern coast of the present-day United States. Therefore, its literary tradition begins as linked to the broader tradition of English literature. However, unique American characteristics and the breadth of its production usually now cause it to be considered a separate path and tradition.

Colonial literature

Some of the earliest American literature were pamphlets and writings extolling the benefits of the colonies to both a European and colonist audience. John Smith of Jamestown could be considered the first American author with his works: A True Relation of ... Virginia ... (1608) and The General Historie of Virginia, New England, and the Summer Isles (1624). Other writers of this manner included Daniel Denton, Thomas Ashe, William Penn, George Percy, William Strachey, John Hammond, Daniel Coxe, Gabriel Thomas, and John Lawson.

The religious disputes that prompted settlement in America were also topics of early writing. A journal written by John Winthrop discussed the religious foundations of the Massachusetts Bay Colony. Edward Winslow also recorded a diary of the first years after the Mayflower's arrival. Other religiously influenced writers included Increase Mather and William Bradford, author of the journal published as a History of Plymouth Plantation, 1620–47. Others like Roger Williams and Nathaniel Ward more fiercely argued state and church separation.

Some poetry also existed. Anne Bradstreet and Edward Taylor are especially noted. Michael Wigglesworth wrote a best-selling poem, The Day of Doom, describing the time of judgement. Nicholas Noyes was also known for his doggerel verse.

Other early writings described conflicts and interaction with the Indians, as seen in writings by Daniel Gookin, Alexander Whitaker, John Mason, Benjamin Church, and Mary Rowlandson. John Eliot translated the Bible into the Algonquin language.

Jonathan Edwards and Cotton Mather represented the Great Awakening, a religious revival in the early 18th century that asserted strict Calvinism. Other Puritan and religious writers include Thomas Hooker, Thomas Shepard, Uriah Oakes, John Wise, and Samuel Willard. Less strict and serious writers included Samuel Sewall, Sarah Kemble Knight, and William Byrd.

The revolutionary period also contained political writings, including those by colonists Samuel Adams, Josiah Quincy, John Dickinson, and Joseph Galloway, a loyalist to the crown. Two key figures were Benjamin Franklin and Thomas Paine. Franklin's Poor Richard's Almanac and The Autobiography of Benjamin Franklin are esteemed works with their wit and influence toward the formation of a budding American identity. Paine's pamphlet Common Sense and The American Crisis writings are seen as playing a key role in influencing the political tone of the period.

During the revolution itself, poems and songs such as "Yankee Doodle" and "Nathan Hale" were popular. Major satirists included John Trumbull and Francis Hopkinson. Philip Morin Freneau also wrote important poems about the war's course.

Early U.S. literature

The first American novel is sometimes considered to be William Hill Brown's The Power of Sympathy (1789). Much of the early literature of the new nation struggled to find a uniquely American voice. European forms and styles were often transferred to new locales and critics often saw them as inferior. For example, Wieland and other novels by Charles Brockden Brown (1771-1810) are often seen as imitations of the Gothic novels then being written in England.

Unique American style

With the War of 1812 and an increasing desire to produce uniquely American work, a number of key new literary figures appeared, perhaps most prominently Washington Irving, William Cullen Bryant, James Fenimore Cooper, and Edgar Allan Poe. Irving, often considered the first writer to develop a unique American style (although this is debated) wrote humorous works in Salmagundi and the well-known satire A History of New York, by Diedrich Knickerbocker (1809). Bryant wrote early romantic and nature-inspired poetry, which evolved away from their European origins. In 1835, Poe began writing short stories -- including The Masque of the Red Death, The Pit and the Pendulum, The Fall of the House of Usher, and The Murders in the Rue Morgue -- that explore previously hidden levels of human psychology and push the boundaries of fiction toward mystery and fantasy. Cooper's Leatherstocking tales about Natty Bumppo were popular both in the new country and abroad.

Humorous writers were also popular and included Seba Smith and Benjamin P. Shillaber in New England and Davy Crockett, Augustus Baldwin Longstreet, Johnson J. Hooper, Thomas Bangs Thorpe, Joseph G. Baldwin, and George Washington Harris writing about the American frontier.

The New England Brahmins were a group of writers connected to Harvard University and its seat in Cambridge, Massachusetts. The core included James Russell Lowell, Henry Wadsworth Longfellow, and Oliver Wendell Holmes, Sr.

In 1836, Ralph Waldo Emerson (1803-1882), an ex-minister, published a startling nonfiction work called Nature, in which he claimed it was possible to dispense with organized religion and reach a lofty spiritual state by studying and responding to the natural world. His work influenced not only the writers who gathered around him, forming a movement known as Transcendentalism, but also the public, who heard him lecture.

Emerson's most gifted fellow-thinker was perhaps Henry David Thoreau (1817-1862), a resolute nonconformist. After living mostly by himself for two years in a cabin by a wooded pond, Thoreau wrote Walden, a book-length memoir that urges resistance to the meddlesome dictates of organized society. His radical writings express a deep-rooted tendency toward individualism in the American character. Other writers influenced by Transcendentalism were Bronson Alcott, Margaret Fuller, George Ripley, Orestes Brownson, and Jones Very.

The political conflict surrounding Abolitionism inspired the writings of William Lloyd Garrison and his paper The Liberator, along with poet John Greenleaf Whittier and Harriet Beecher Stowe in her world-famous Uncle Tom's Cabin.

In 1837, the young Nathaniel Hawthorne (1804-1864) collected some of his stories as Twice-Told Tales, a volume rich in symbolism and occult incidents. Hawthorne went on to write full-length "romances," quasi-allegorical novels that explore such themes as guilt, pride, and emotional repression in his native New England. His masterpiece, The Scarlet Letter, is the stark drama of a woman cast out of her community for committing adultery.History of modern literature

Hawthorne's fiction had a profound impact on his friend Herman Melville (1819-1891), who first made a name for himself by turning material from his seafaring days into exotic novels. Inspired by Hawthorne's example, Melville went on to write novels rich in philosophical speculation. In Moby Dick, an adventurous whaling voyage becomes the vehicle for examining such themes as obsession, the nature of evil, and human struggle against the elements. In another fine work, the short novel Billy Budd, Melville dramatizes the conflicting claims of duty and compassion on board a ship in time of war. His more profound books sold poorly, and he had been long forgotten by the time of his death. He was rediscovered in the early decades of the 20th century.

Anti-transcendental works from Melville, Hawthorne, and Poe all comprise the Dark Romanticism subgenre of literature popular during this time.

American lyric

America's two greatest 19th-century poets could hardly have been more different in temperament and style. Walt Whitman (1819-1892) was a working man, a traveler, a self-appointed nurse during the American Civil War (1861-1865), and a poetic innovator. His magnum opus was Leaves of Grass, in which he uses a free-flowing verse and lines of irregular length to depict the all-inclusiveness of American democracy. Taking that motif one step further, the poet equates the vast range of American experience with himself without being egotistical. For example, in Song of Myself, the long, central poem in Leaves of Grass, Whitman writes: "These are really the thoughts of all men in all ages and lands, they are not original with me...."

Whitman was also a poet of the body -- "the body electric," as he called it. In Studies in Classic American Literature, the English novelist D.H. Lawrence wrote that Whitman "was the first to smash the old moral conception that the soul of man is something `superior' and `above' the flesh."

Emily Dickinson (1830-1886), on the other hand, lived the sheltered life of a genteel unmarried woman in small-town Amherst, Massachusetts. Within its formal structure, her poetry is ingenious, witty, exquisitely wrought, and psychologically penetrating. Her work was unconventional for its day, and little of it was published during her lifetime.

Many of her poems dwell on death, often with a mischievous twist. "Because I could not stop for Death," one begins, "He kindly stopped for me." The opening of another Dickinson poem toys with her position as a woman in a male-dominated society and an unrecognized poet: "I'm nobody! Who are you? / Are you nobody too?"

Realism, Twain, and James

Mark Twain (the pen name of Samuel Langhorne Clemens, 1835-1910) was the first major American writer to be born away from the East Coast - in the border state of Missouri. His regional masterpieces were the memoir Life on the Mississippi and the novel Adventures of Huckleberry Finn. Twain's style - influenced by journalism, wedded to the vernacular, direct and unadorned but also highly evocative and irreverently funny - changed the way Americans write their language. His characters speak like real people and sound distinctively American, using local dialects, newly invented words, and regional accents. Other writers interested in regional differences and dialect were George W. Cable, Thomas Nelson Page, Joel Chandler Harris, Mary Noailles Murfree (Charles Egbert Craddock), Sarah Orne Jewett, Mary E. Wilkins Freeman, Henry Cuyler Bunner, and William Sydney Porter (O. Henry).

William Dean Howells also represented the realist tradition through his novels, including The Rise of Silas Lapham and his work as editor of the Atlantic Monthly.

Henry James (1843-1916) confronted the Old World-New World dilemma by writing directly about it. Although born in New York City, he spent most of his adult years in England. Many of his novels center on Americans who live in or travel to Europe. With its intricate, highly qualified sentences and dissection of emotional and psychological nuance, James's fiction can be daunting. Among his more accessible works are the novellas Daisy Miller, about an enchanting American girl in Europe, and The Turn of the Screw, an enigmatic ghost story.

Turn of the century

Ernest Hemingway in World War I uniform.

At the beginning of the 20th century, American novelists were expanding fiction's social spectrum to encompass both high and low life and sometimes connected to the naturalist school of realism. In her stories and novels, Edith Wharton (1862-1937) scrutinized the upper-class, Eastern-seaboard society in which she had grown up. One of her finest books, The Age of Innocence, centers on a man who chooses to marry a conventional, socially acceptable woman rather than a fascinating outsider. At about the same time, Stephen Crane (1871-1900), best known for his Civil War novel The Red Badge of Courage, depicted the life of New York City prostitutes in Maggie: A Girl of the Streets. And in Sister Carrie, Theodore Dreiser (1871-1945) portrayed a country girl who moves to Chicago and becomes a kept woman. Hamlin Garland and Frank Norris wrote about the problems of American farmers and other social issues from a naturalist perspective.

More directly political writings discussed social issues and power of corporations. Some like Edward Bellamy in Looking Backward outlined other possible political and social frameworks. Upton Sinclair, most famous for his meat-packing novel The Jungle, advocated socialism. Other political writers of the period included Edwin Markham, William Vaughn Moody. Journalistic critics, including Ida M. Tarbell and Lincoln Steffens were labelled the The Muckrakers. Henry Adams' literate autobiography, The Education of Henry Adams also depicted a stinging description of the education system and modern life.

Experimentation in style and form soon joined the new freedom in subject matter. In 1909, Gertrude Stein (1874-1946), by then an expatriate in Paris, published Three Lives, an innovative work of fiction influenced by her familiarity with cubism, jazz, and other movements in contemporary art and music. Stein labelled a group of American literary notables who lived in Paris in the 1920s and 1930s as the "Lost Generation".

The poet Ezra Pound (1885-1972) was born in Idaho but spent much of his adult life in Europe. His work is complex, sometimes obscure, with multiple references to other art forms and to a vast range of literature, both Western and Eastern. He influenced many other poets, notably T.S. Eliot (1888-1965), another expatriate. Eliot wrote spare, cerebral poetry, carried by a dense structure of symbols. In "The Waste Land" he embodied a jaundiced vision of post-World War I society in fragmented, haunted images. Like Pound's, Eliot's poetry could be highly allusive, and some editions of The Waste Land come with footnotes supplied by the poet. In 1948, Eliot won the Nobel Prize in Literature.

American writers also expressed the disillusionment following upon the war. The stories and novels of F. Scott Fitzgerald (1896-1940) capture the restless, pleasure-hungry, defiant mood of the 1920s. Fitzgerald's characteristic theme, expressed poignantly in The Great Gatsby, is the tendency of youth's golden dreams to dissolve in failure and disappointment. Sinclair Lewis and Sherwood Anderson also wrote novels with critical depictions of American life. John Dos Passos wrote about the war and also the U.S.A. trilogy which extended into the Depression. Ernest Hemingway (1899-1961) saw violence and death first-hand as an ambulance driver in World War I, and the carnage persuaded him that abstract language was mostly empty and misleading. He cut out unnecessary words from his writing, simplified the sentence structure, and concentrated on concrete objects and actions. He adhered to a moral code that emphasized grace under pressure, and his protagonists were strong, silent men who often dealt awkwardly with women. The Sun Also Rises and A Farewell to Arms are generally considered his best novels; in 1954, he won the Nobel Prize in Literature.

Five years before Hemingway, another American novelist had won the Nobel Prize: William Faulkner (1897-1962). Faulkner managed to encompass an enormous range of humanity in Yoknapatawpha County, a Mississippian region of his own invention. He recorded his characters' seemingly unedited ramblings in order to represent their inner states, a technique called "stream of consciousness." (In fact, these passages are carefully crafted, and their seemingly chaotic structure conceals multiple layers of meaning.) He also jumbled time sequences to show how the past -- especially the slave-holding era of the Deep South -- endures in the present. Among his great works are The Sound and the Fury, Absalom, Absalom!, Go Down, Moses, and The Unvanquished.

Literature and theatre of the USA (стр. 1 из 7)

The Literature of the United States

Colonial literature

Early U.S. literature

Turn of the century