31. Theodore Herman Albert Dreiser - was an American novelist and journalist. Dreiser was involved in several campaigns against social injustice. Dreiser was a committed socialist, and wrote several non-fiction books on political issues. These included Dreiser Looks at Russia (1928), the result of his 1927 trip to the Soviet Union, and two books presenting a critical perspective on capitalist America, Tragic America (1931) and America Is Worth Saving (1941). His vision of capitalism and a future world order with a strong American military dictate combined with the harsh criticism of the latter made him unpopular within the official circles. Although less politically radical friends, such as H.L. Mencken, spoke of Dreiser's relationship with communism as an "unimportant detail in his life," Dreiser's biographer Jerome Loving notes that his political activities since the early 1930s had "clearly been in concert with ostensible communist aims with regard to the working class." He pioneered the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency. His first novel, Sister Carrie (1900), tells the story of a woman who flees her country life for the city (Chicago) and there lives a life far from a Victorian ideal. It sold poorly and was not widely promoted largely because of moral objections to the depiction of a country girl who pursues her dreams of fame and fortune through relationships to men. The book has since acquired a considerable reputation. It has been called the "greatest of all American urban novels." [7] (It was made into a 1952 film by William Wyler, which starred Laurence Olivier and Jennifer Jones.) He was a witness to a lynching in 1893 and wrote the short story, "Cracker," which appeared in Ainslee's Magazine in 1901.His second novel, Jennie Gerhardt, was published in 1911. Many of Dreiser's subsequent novels dealt with social inequality. His first commercial success was An American Tragedy (1925), which was made into a film in 1931 and again in 1951 (as A Place in the Sun). Already in 1892, when Dreiser began work as a newspaperman he had begun "to observe a certain type of crime in the United States that proved very common. It seemed to spring from the fact that almost every young person was possessed of an ingrown ambition to be somebody financially and socially." "Fortune hunting became a disease" with the frequent result of a peculiarly American kind of crime, a form of "murder for money", when "the young ambitious lover of some poorer girl" found "a more attractive girl with money or position" but could not get rid of the first girl, usually because of pregnancy.Dreiser claimed to have collected such stories every year between 1895 and 1935. The murder in 1911 of Avis Linnell by Clarence Richeson particularly caught his attention. By 1919 this murder was the basis of one of two separate novels begun by Dreiser. The 1906 murder of Grace Brown by Chester Gillette eventually became the basis for An American Tragedy. Though primarily known as a novelist, Dreiser published his first collection of short stories, Free and Other Stories in 1918. The collection contained 11 stories. A particularly interesting story, "My Brother Paul", was a brief biography of his older brother, Paul Dresser, who was a famous songwriter in the 1890s. This story was the basis for the 1942 romantic movie, "My Gal Sal".Other works include The "Genius" and Trilogy of Desire (a three-parter based on the remarkable life of the Chicago streetcar tycoon Charles Tyson Yerkes and composed of The Financier (1912), The Titan (1914), and The Stoic). The latter was published posthumously in 1947. Dreiser was often forced to battle against censorship because of his depiction of some aspects of life, such as sexual promiscuity, offended authorities and popular opinion.
32. The American Dream is the hope that in the United States of America, anyone can become rich or famous if they work hard and try their very best. Many migrants, people who come to America from other countries, come to America because they hope for a better life. America is attractive to migrants, because often there is more freedom to become rich or famous than the country that they leave. With American Dream is also meant to live free and equal with all other people in the USA. The term is used in popular discourse, and scholars have traced its use in American literature ranging from the Autobiography of Benjamin Franklin, to Mark Twain's The Adventures of Huckleberry Finn (1884), F. Scott Fitzgerald's The Great Gatsby (1925). Francis Scott Key Fitzgerald was an American author of novels and short stories, whose works are the paradigm writings of the Jazz Age, a term he coined himself. He is widely regarded as one of the greatest American writers of the 20th century. is considered a member of the "Lost Generation" of the 1920s. He finished four novels, This Side of Paradise, The Beautiful and Damned, Tender Is the Night and his most famous, the celebrated classic, The Great Gatsby. A fifth, unfinished novel, The Love of the Last Tycoon was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age. Fitzgerald’s friendship with Hemingway was quite vigorous, as many of Fitzgerald’s relationships would prove to be. Hemingway did not get on well with Zelda. In addition to describing her as "insane" he claimed that she "encouraged her husband to drink so as to distract Scott from his ‘’ work on his novel," the other work being the short stories he sold to magazines. This "whoring", as Fitzgerald, and subsequently Hemingway, called these sales, was a sore point in the authors’ friendship. Fitzgerald claimed that he would first write his stories in an authentic manner but then put in "twists that made them into saleable magazine stories." Although Fitzgerald's passion lay in writing novels, only his first novel sold well enough to support the opulent lifestyle that he and Zelda adopted as New York celebrities. As did most professional authors at the time, Fitzgerald supplemented his income by writing short stories for such magazines as The Saturday Evening Post, Collier's Weekly, and Esquire, and sold his stories and novels to Hollywood studios. Fitzgerald began working on his fourth novel during the late 1920s but was sidetracked by financial difficulties that necessitated his writing commercial short stories, and by the schizophrenia that struck Zelda in 1930. Her emotional health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La Paix" estate in the suburb of Towson, Maryland to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist who falls in love with and marries Nicole Warren, one of his patients. The book went through many versions, the first of which was to be a story of matricide. Some critics have seen the book as a thinly-veiled autobiographical novel recounting Fitzgerald's problems with his wife, the corrosive effects of wealth and a decadent lifestyle, his own egoism and self-confidence, and his continuing alcoholism. Fitzgerald died before he could complete The Love of the Last Tycoon. His manuscript, which included extensive notes for the unwritten part of the novel's story, was edited by his friend, the literary critic Edmund Wilson, and published in 1941 as The Last Tycoon. In 1994 the book was reissued under the original title The Love of the Last Tycoon, which is now agreed to have been Fitzgerald's preferred title.
33. Ernest Miller Hemingway was an American author and journalist. His distinctive writing style, characterized by economy and understatement, influenced 20th-century fiction, as did his life of adventure and public image. He produced most of his work between the mid-1920s and the mid-1950s. He won the Nobel Prize in Literature in 1954. Hemingway's fiction was successful because the characters he presented exhibited authenticity that resonated with his audience. Many of his works are classics of American literature. He published seven novels, six short story collections, and two non-fiction works during his lifetime; a further three novels, four collections of short stories, and three non-fiction works were published posthumously. After leaving high school he worked for a few months as a reporter for The Kansas City Star, before leaving for the Italian front to become an ambulance driver during World War I, which became the basis for his novel A Farewell to Arms. He was seriously wounded and returned home within the year. In Paris he met and was influenced by modernist writers and artists of the 1920s expatriate community known as the "Lost Generation". His first novel, The Sun Also Rises, was written in 1924. World War I he was stationed at the Italian Front, and on his first day in Milan was sent to the scene of a munitions factory explosion where rescuers retrieved the shredded remains of female workers. He described the incident in his non-fiction book Death in the Afternoon: "I remember that after we searched quite thoroughly for the complete dead we collected fragments".In his 18 he was seriously wounded by mortar fire, having just returned from the canteen to deliver chocolate and cigarettes to the men at the front line. Hemingway said of the incident: "When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you ... Then when you are badly wounded the first time you lose that illusion and you know it can happen to you." In hospital he inloved with a red-cross nurse, they were planning to get married, but she married another man, and Hemingway described the incident in the short and bitter work "A Very Short Story".The war had created in him a maturity at odds with living at home without a job and the need for recuperation. He could not say how scared he was in another country with surgeons who could not tell him in English if his leg was coming off or not." World War2 In 1937 Hemingway agreed to report on the Spanish Civil War for the North American Newspaper Alliance (NANA) Hemingway wrote his only play, The Fifth Column, as the city was being bombarded. Hemingway was present at heavy fighting in the Hürtgenwald near the end of 1944. On December 17, a feverish and ill Hemingway had himself driven to Luxembourg to cover what would later be called The Battle of the Bulge. However, as soon as he arrived, Lanham handed him to the doctors, who hospitalized him with pneumonia, and by the time he recovered a week later, the main fighting was over. In 1947 Hemingway was awarded a Bronze Star for his bravery during World War II. He was recognized for his valor in having been "under fire in combat areas in order to obtain an accurate picture of conditions", with the commendation that "through his talent of expression, Mr. Hemingway enabled readers to obtain a vivid picture of the difficulties and triumphs of the front-line soldier and his organization in combat".
34. The Great Depression has been the subject of much writing, as authors have sought to evaluate an era that caused financial as well as emotional trauma. Perhaps the most noteworthy and famous novel written on the subject is The Grapes of Wrath, published in 1939 and written by John Steinbeck, who was awarded both the Nobel Prize for literature and the Pulitzer Prize for the work. The novel focuses on a poor family of sharecroppers who are forced from their home as drought, economic hardship, and changes in the agricultural industry occur during the Great Depression. Steinbeck's Of Mice and Men is another important novel about a journey during the Great Depression. Additionally, Harper Lee's To Kill a Mockingbird is set during the Great Depression. Margaret Atwood's Booker prize-winning The Blind Assassin is likewise set in the Great Depression, centering on a privileged socialite's love affair with a Marxist revolutionary. The era spurred the resurgence of social realism, practiced by many who started their writing careers on relief programs, especially the Federal Writers' Project in the U.S. John Ernst Steinbeck was an American writer. He wrote the Pulitzer Prize-winning novel The Grapes of Wrath (1939) and East of Eden (1952) and the novella Of Mice and Men (1937). He wrote a total of twenty-seven books, including sixteen novels, six non-fiction books and five collections of short stories. In 1962, Steinbeck received the Nobel Prize for Literature. Steinbeck's first novel, Cup of Gold, published in 1929, is based on the life and death of privateer Henry Morgan. It centers on Morgan's assault and sacking of the city of Panama, sometimes referred to as the 'Cup of Gold', and on the woman, fairer than the sun, who was said to be found there.
After Cup of Gold, between 1931 and 1933 Steinbeck produced three shorter works. The Pastures of Heaven, published in 1932, comprised twelve interconnected stories about a valley near Monterey, that was discovered by a Spanish corporal while chasing runaway American Indian slaves. In 1933 Steinbeck published The Red Pony, a 100-page, four-chapter story weaving in memories of Steinbeck's childhood. Steinbeck began to write a series of "California novels" and Dust Bowl fiction, set among common people during the Great Depression. These included In Dubious Battle, Of Mice and Men and The Grapes of Wrath. Of Mice and Men is a tragedy that was written in the form of a play in 1937. The story is about two traveling ranch workers, George and Lennie, trying to work up enough money to buy their own farm/ranch. It encompasses themes of racism, loneliness, prejudice against the mentally ill, and the struggle for personal independence. Along with Grapes of Wrath, East of Eden, and The Pearl, Of Mice and Men is one of Steinbeck's best known works. The Grapes of Wrath was written in 1939 and won the Pulitzer Prize in 1940. The book is set in the Great Depression and describes a family of sharecroppers, the Joads, who were driven from their land due to the dust storms of the Dust Bowl. The title is a reference to the Battle Hymn of the Republic. The book was unpopular amongst some critics who found it too sympathetic to the worker's plight and too critical of aspects of capitalism; but it found quite a large audience amongst the working class.
35. The effects of World War II had far-reaching implications for most of the world, trails of millions raped women and children, mountains of bloody human flesh lingered in the minds of evident, all this influenced the mentality and the system of values . Jerome David Salinger was an American author, best known for his 1951 novel The Catcher in the Rye, as well as his reclusive nature. Salinger was assigned to a counter-intelligence division, where he used his proficiency in French and German to interrogate prisoners of war. He was also among the first soldiers to enter a liberated concentration camp.Salinger's experiences in the war affected him emotionally. He was hospitalized for a few weeks for combat stress reaction after Germany was defeated, and he later told his daughter: "You never really get the smell of burning flesh out of your nose entirely, no matter how long you live." Both of his biographers speculate that Salinger drew upon his wartime experiences in several stories,such as "For Esmé – with Love and Squalor", which is narrated by a traumatized soldier. Salinger continued to write while serving in the army, and published several stories in slick magazines. After Germany's defeat, Salinger signed up for a six-month period of "Denazification" duty in Germanyfor the Counterintelligence Corps. n the 1940s, Salinger confided to several people that he was working on a novel featuring Holden Caulfield, the teenage protagonist of his short story "Slight Rebellion off Madison,"and The Catcher in the Rye was published on July 16, 1951. The novel's plot is simple,detailing sixteen-year-old Holden's experiences in New York City following his expulsion, and departure, from an elite prep school. Not only was he expelled from his current school, he had also been expelled from three previous schoolsThe book is more notable for the iconic persona and testimonial voice of its first-person narrator, Holden.He serves as an insightful but unreliable narrator who expounds on the importance of loyalty, the "phoniness" of adulthood, and his own duplicity.In a 1953 interview with a high-school newspaper, Salinger admitted that the novel was "sort of" autobiographical, explaining that "My boyhood was very much the same as that of the boy in the book ... It was a great relief telling people about it." The book's initial success was followed by a brief lull in popularity, but by the late 1950s, according to Ian Hamilton, it had "become the book all brooding adolescents had to buy, the indispensable manual from which cool styles of disaffectation could be borrowed." at the age of 53, Salinger had a year-long relationship with 18-year-old Joyce Maynard, already an experienced writer for Seventeen magazine. The New York Times had asked Maynard to write an article for them which, when published as "An Eighteen-Year-Old Looks Back On Life" made her a celebrity. Salinger wrote a letter to her warning about living with fame. After exchanging 25 letters, Maynard moved in with Salinger the summer after her freshman year at Yale University Maynard did not return to Yale that fall, and spent ten months as a guest in Salinger's Cornish home. The relationship ended, as he was too old. Salinger's language, especially his energetic, realistically sparse dialogue, was revolutionary at the time his first stories were published, and was seen by several critics as "the most distinguishing thing" about his work. Salinger identified closely with his characters,and used techniques such as interior monologue, letters, and extended telephone calls to display his gift for dialogue. Such style elements also "[gave] him the illusion of having, as it were, delivered his characters' destinies into their own keeping."Recurring themes in Salinger's stories also connect to the ideas of innocence and adolescence, including the "corrupting influence of Hollywood and the world at large," the disconnect between teenagers and "phony" adultsand the perceptive, precocious intelligence of children. Ray Douglas Bradbury is an American fantasy, horror, science fiction, and mystery writer. Best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury is one of the most celebrated among 20th and 21st century American writers of speculative fiction. Having been influenced by science fiction heroes like Flash Gordon and Buck Rogers, Bradbury began to publish science fiction stories in fanzines in 1938. Although he is often described as a science fiction writer, Bradbury does not box himself into a particular narrative categorization: First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time—because it's a Greek myth, and myths have staying power. On another occasion, Bradbury observed that the novel touches on the alienation of people by media: In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction. Besides his fiction work, Bradbury has written many short essays on the arts and culture, attracting the attention of critics in this field. Bradbury also hosted "The Ray Bradbury Theater" which was based off his short stories. Critical opinion of Bradbury's work is sharply divided. Critics:His is a very great and unusual talent. Althoughhas a large following among science fiction readers, there is at least an equally large contingent of people who cannot stomach his work at all... His imagination is mediocre; he borrows nearly all his backgrounds and props, and distorts them badly; wherever he is required to invent anything—a planet, a Martian, a machine—the image is flat and unconvincing.